Tag Archives: Gorringe

The Future Doesn’t Exist/ Everybody’s Free

WARNING: This post is more sporadic, disjointed and ultimately more passionate than most of my posts. Hang in there and invest in the proposal…please… oh and comment, suggest books, ask questions. Now, more than ever, I need your help!

For surely I know the plans I have for you, says the Lord, plans for your welfare and not for harm, to give you a future with hope. (Jer 29:11)

Over the last year I’ve become more and more convinced that God is more interested in the present than He is in the future. I often sum up the idea by proclaiming the un-nuanced version; “I don’t believe in the future.” I don’t exist in the future, which is a healthy psychological position, and therefore I don’t participate in the activity of believing in that realm. I also don’t have trust in the future, I don’t have faith in this thing we call ‘future’. As well as both of these opinions I also don’t believe the future exists, i.e., It has not been created yet, it is not a static place or thing that we can in anyway grasp. The future is not reality. In most Churches the use of language about future is not fully explored.

What is ‘the future’?

The future is a designated time after this moment. We can call anything that may happen after now as ‘the future’. Its existence is considered inevitable due to the laws of time (tomorrow will happen after today). The inevitability of its existence doesn’t mean it exists currently, indeed the definition rejects any possibility of the future existing in the present for if it did it would be the present…

If we live in the belief that the future is a reality then we live within that belief system. For example:

Say someone believes that in the future they will be a doctor that belief impacts their present. They then believe that that future is inevitable and so the present moment and the decisions taken are changed in order to prepare for that reality. When that reality doesn’t arrive there’s a tear in their inner belief system. They had built a false reality around an imagined future and believed and trusted it would happen.

Trying to define the concept is difficult but I want us to rely on our simplistic understanding of ‘the future’ so we don’t have to enter into the physics of the future. We all feel at some time, divorced of the scientific thoughts, the sense of time just washing over us. Each moment has gone in a flicker of an eye and we enter into the next moment or it pushes onto us. Here is where I’d like to stop and ask a question.

Can we step into ‘the future’? or, do we step into ‘the future’?

You may ask what’s the difference between entering into the future or the future stepping into us? I believe it’s all in the interpretation. If you see yourself stepping into the future then there’s an implicit understanding that the future is a place/reality in which you can step into; it has become more concrete then just a mere concept. The onus is on you to make a decision as to whether you go or not. You have some element of control. We all know, however, that we will be in that moment whether we choose to or not. The future will become the present and the present moment will become the past. So the heavy concoction of sensing some control of time and its frightening inevitability makes us want to know the future before it happens. “If I am being forced to step into a room I want to at least know what’s in it.”

If, however, you see the future as coming at you like a freight train or a gentle stream then there is no control over it, implicit or explicit; all you have to do is stand there and deal with what comes. It is this idea that has been deeply liberating for me.

The passage from Jeremiah which we started with implies God is a puppet master of the cosmic order. The confusion happens when we acknowledge we also believe in free-will. What is free-will if God, ultimately will get His own way. That’s not true freedom, that’s manipulative! So how do we marry these two opposing views?

I wrote, last year, on God as the Divine Director and cited both Joseph Myers and T.J. Gorringe. The two posts (Divine Director (part I) and Divine Director (part II) posts) talk about the subject from a leadership perspective. Today I’d like to see it from a more general perspective.

What does God want me to do? What are His plans for me, plans to prosper me and not to harm me?

I’ve had so many conversations with people who are desperately trying to figure out what to do with their lives (one of those people was me!) There are so many options and choices to make; work, relationships, houses, money, religion, etc. We all have to make the ‘right’ choice and God is interested in the choices we make because the choices we make define who we are and our priorities. But what if we state that the future doesn’t exist yet and that any choice we make in the present directly impacts the creation of the future?

We create the future.

Take improvisation in drama. As an actor you stand on stage and, in order to create a narrative, you have to make a decision, you have to impact the story. This is deeply frightening as you stare into the emptiness of the next moment. You don’t know what is going to happen and the more you remain silent and frozen the larger that abyss becomes. There’s great wisdom in the slightly frustrated director’s command, “Do anything.”

The truth is it doesn’t matter what you do in that moment, what matters is how you do it. The question we must ask when making decisions in the present is not “Is this what God wants?” but “Is this in line with the character of Christ?”

So what are God’s ‘plans’? In this passage the word for ‘plans’ can be translated as ‘thoughts’. In the Hebrew Bible it is translated as ‘For I know the thoughts I am having for you…” “I know what I think of you.” It is more about the character of the person rather than their action.

What if following Jesus isn’t about asking What Would Jesus Do but rather How Would Jesus Be then the choices we make are important not because of the actual decisions but whether they’re made in line with the character of Jesus. God requires us to live this moment in the character of Jesus. Do not live in the future for it doesn’t exist yet, live in this moment. ‘Do not worry about tomorrow…’ The future will happen and when it does, if you live like Jesus, then all will be well. If you make a decision, God will bless it if you make it whilst being faithful to the character of Christ.

As a director, in improvisation, I don’t care what actor’s say or do as long as they do so with consistency of character. Jesus, likewise, criticizes religious hypocrisy a lot because their actions are not in line with their belief. They maybe making good decisions in line with the law but not in line with the character of God.

Do I marry this person or not? It doesn’t matter. What matters is how you marry them and consequentially fulfill those promises that matter. Or how you separate. Faithfully follow God’s commands; ‘Love God and love your neighbour.’

What do I do for a living? It doesn’t matter. What matters is how you live as whatever you become. Faithfully follow God’s commands; ‘Love God and love your neighbour.”

Does God know the future? Yes. He knows everyone’s decisions and the consequences of everyone’s action colliding together. Can He fully control the future? No because He has given His people free-will.

I hope you can begin to see why I’m struggling to write this book! So many ideas and implications it’s hard to contain them all. I guess I want everyone to know this; Do not worry about what you will do or what you will say. Life is not about which path you walk  but the way you walk it. Jesus is ‘the way’ not path so walk like Him. The future will arrive inevitability and will ask you to make choices but you cannot predict what those choices are so concern yourself with making decisions now in this moment.

We’ve not been able to get into the subject of prophecy, eschatology, discernment. At the end of the day (it gets dark!) God wants us to share responsibility for our decisions, He wants you to choose. He can’t control what you choose but He can advise and give you strength how to choose.

I will finish on some lyrics from Baz Luhrmann’s ‘Everybody’s Free (to wear sunscreen)’:

Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4pm on some idle Tuesday… Don’t feel guilty if you don’t know what you want to do with your life…the most interesting people I know didn’t know at 22 what they wanted to do with their lives, some of the most interesting 40 year olds I know still don’t.

Divine Director (part II)

I quoted Joseph Myers yesterday and asked whether we can begin to see God as an organic organiser rather than a master planner, but what’s the problem with seeing God as a master planner anyway? Nothing, directly, but it gets confusing, theologically, when you’re faced with instances in Scripture, such as Abraham at Sodom and Gomorrah, where God seems to change his mind and also when faced with the issue of prayer. If God’s will is going to happen why bother praying? Well, if God is a master planner then prayer begins to be seen as tapping a busy God on the shoulder saying “if you can find it in your heart to change the whole world order so I can have a parking space, that would be nice… but only if it’s in your plan…” What kind of relationship is being posed here? An authority figure demanding you do exactly as you’re told? Not really loving, is it? (Even if the plans are to prosper me and not to harm me!)

The other, more major, issue that arises when seeing God as a master planner comes when you’re faced with the crucified God.

‘What makes God the world Ruler, said Barth, as opposed to all false gods and idols is ‘the very fact that his rule is determined and limited: self-determined and self-limited, but determined and limited none the less’. (Karl Barth, ‘Church Dogmatics II/2’) Knowledge of this self-limitation derives from the cross, for if everything were rigorously determined what could the cross be but a piece of spectacular, though indecent, theatre? On the contrary the ‘necessity’ of the cross, frequently spoken about by New Testament authors, is God’s refusal to overrule human history. If the cross is our guide, God is no determinist.’ (T.J. Gorringe, ‘God’s Theatre’)

What is seen on the cross is God’s power working through human free will. God didn’t pretend to die on the cross. He didn’t hold onto control or power in that situation rather he became weak and died in order that we could know that

‘he refuses to manipulate or control but rather wishes to woo creation to conformity with his son, as Hosea suggests.’ (Gorringe, ‘God’s Theatre’)

Yesterday I mentioned an experience Peter Brook had while directing Love’s Labour’s Lost for the RSC. Brook told of his frustration when, early on in rehearsals, actors did not perform in the expected way. I will just write Gorringe’s reflections rather than rephrase,

‘This story is a marvellous parable of God’s activity. If we do in fact learn about God, and the mode of God’s activity from Christ then it should be clear that God rejected the prompt book option from the very beginning, and has been from the start ‘in amongst the actors’. God works without script and without plan but with, to continue the metaphor, a profound understanding of theatre and the profoundest understanding of the play…Interestingly Brook remarked early on in rehearsal that there was a particular rhythm to be found and a particular actor to find it, and this demanded ‘an almost metaphysical explanation’. (David Selbourne, ‘Making of Midsummer Night’s Dream’)All the director can do is illuminate the play and demand that the actors find their own inner resources. Often Brook simply sat in front of the stage drumming out a rhythm. Something like this is what God demands of us… Against this analogy it might be objected that it conceives God as simply one agent amongst many, just as Selbourne sometimes wondered whether Brook was one actor amongst many. This would reduce God to the status of a finite being. The giveaway here is the ‘simply’. God is indeed one agent amongst many, but he is the only unique agent, just as there is only one ‘director’. ‘God’ is the Creator and Sustainer, present in the personal reality of his graciousness to all things, and interacting with, and reacting to all things.’

People often ask me, “What makes a good director?” Well the answer, for me, is someone who is willing to guide rather than dictate. Actors are creative beings and are at their most powerful when they are using their creativity. To stifle the creative is to stop them from ‘existing’ onstage. A director’s role is to encourage actors to make right decisions and to enable them to react to impulses onstage. When I’m directing I spend more time equipping actors with tools and practical guidelines as to how to react than I do telling them how exactly to walk, stand and speak. This way of directing, at times, is frustrating for the perfectionist inside me, but in the end it’s the moments when the actors come alive onstage that makes me excited about theatre. Peter Brook, as always, says it best,

‘I think one must split the word “direct” down the middle. Half of directing is, of course, being a director, which means taking charge, making decisions, saying “yes” and saying “no,” having the final say. The other half of directing is maintaining the right direction. Here, the director becomes guide, he’s at the helm, he has to have studied the maps and he has to know whether he’s heading north or south. He searches all the time, but not haphazardly. He doesn’t search for the sake of searching, but for a purpose; a man looking for gold may ask a thousand questions, but they all lead back to gold; a doctor looking for a vaccine may make endless and varied experiments, but always toward curing one disease and not another. If this sense of direction is there, everyone can play the part as fully and creatively as he is able. The director can listen to the others, yield to their suggestions, learn from them, radically modify and transform his own ideas, he can constantly change course, he can unexpectedly veer one way or another, yet the collective energies still serve a single aim. This enables the director to say “yes” and “no” and the others willingly to assent.’ (The Shifting Point)

The same is true of Christian leaders. We may know the vision or see how things could be, but we must act in the way God would act and rather encourage collaboration rather than cooperation. We must tap out a rhythm and help the actors to find and discover the role they are playing and, most importantly, we must be ready and excited about being surprised by the new and fresh things the actor unearths.

In my placement, this year, I will have the joy and pleasure to work with creative individuals and watch them create and communicate stories and truths. I have discovered a way in which my passion and love of directing is truly godly and a spiritual exercise, for as I work ‘in amongst the actors’ I find God is there to.

Divine Director (part I)

My reading over the summer has been sporadic to say the least. I constantly jump from ‘Organic Community’, ‘The Empty Space’, ‘The Shifting Point’ (another Peter Brook book), ‘The Invisible Actor’ by Yoshi Oida and now into my more theologically heavy tomes, ‘God’s Theatre’ and ‘Transforming Fate and Destiny’. Books move from the top of the pile to the bottom frequently as my interest and whims change day by day. This reading is also interrupted by revision on theatre practitioner’s theories in preparation for ‘The Workshops’ running the first couple of weeks of term. Add to this the inevitable daily activities of a wife wanting to do those household chores put aside for the holiday season and you have all the ingredients for a mental meltdown!

There has been, however, some exciting and recurring themes coming through in my research and one of which is particularly helpful for me for a couple of reasons.

For those of you who have been reading for some months now will know, I have struggled with the idea of ‘God’s will’ and how one should discern it; the theological balancing of the providence of God and free will. My evangelical background has led me towards an understanding of God as having a plan for each of our lives and has a map of how our lives should be lived. This means that listening prayer becomes really important to discern which decisions one should make in order to be aligned to His will. This discernment is not a perfect solution as you can never be totally sure you’ve heard him right (if at all!) and so confusion and doubt creep in. The pray-er justifies decisions and outcomes depending on how confident they are that it was God’s will in the first place. This is an adequate theological standpoint and I’m sure there is some truth in it. It does lead to, however, some Christians proclaiming knowledge of God’s one and only will and leading many down destructive or damaging paths. I want to clarify, I don’t think everyone claiming to hear God’s voice in a situation is leading people into destructive or damaging paths but sometimes it has happened.

I struggle when new Christians come to this teaching. Having heard a gospel of grace and cleansing of bad decisions made, they are then pressured to hear God’s will in how to live their lives now and when they make one wrong decision then it’s hard not to feel like you’re not good enough to be a Christian because you’ve messed up God’s plan again!

Joseph Myers in ‘Organic Community’ suggests;

‘A theology of God as master planner implies that God has a purpose – even one purpose – for your life and it’s your lifelong job to pursue it, identify it, and live it out. The gospel becomes, “God has a plan for your life.” God has planned the job, the life partner, the house, the child, and so on. He wants nothing more than our cooperation with his plan. A theology of God as organic order, however, allows for collaboration with him. We are privileged to participate with him in the forming of our future. He invites our ideas, our energy, our creativity, our perspective. He gives up a measure of control to facilitate relationship with us and to demonstrate his love.’

In ‘God’s Theatre’ T.J. Gorringe dissects the main theological and philosophical thoughts on providence, walking his reader through Calvin, Augustine, Aquinas thought and many other historical heavy weights. He argues that you fall into the trap of saying human free will is always working contrary to God’s will and therefore we should cast it aside and be automatons or God works all things to good and so we can do what we like because God is going to fix everything anyway. There are other standpoints, as you can begin to discover, but I just want to give a flavour of the different and varied views. How do we balance God’s omnipotence and Scripture clearly proclaiming God having a plan for human kind and working in this world for the furtherance of the Kingdom and our innate free will?

Gorringe goes onto suggest an understanding of God’s work amongst human beings that has helped me to see more clearly how we can pick up Myers call for ‘organic order’ and see God as someone who wants collaboration rather than cooperation. Gorringe’s ideas come from none other than Peter Brook…

I was immediately interested!

He begins by retelling the story, originally told by Brook himself in ‘The Empty Space’, of one of Brook’s early directorial posts on Love’s Labour’s Lost for the RSC. I returned to ‘The Empty Space’ and read the account. Brook describes how he would have a scene mapped out before rehearsals; He knew where people should move and how and what every moment would look like. He would use cardboard figurines to move them about the stage at different moments and would have it all charted out. I was reminded, as I read this, of two things; firstly, how closely this describes my method of directing early on in my career and secondly, of this implement called ‘a director’s tray’ that was brought to my attention a week ago. This ‘tray’ marks out the stage into different areas and a director would move markers (signifying actors) around the tray like a general would in a war room. Brook, like many directors before and after him, discovered,

‘As the actors began to move I knew it was no good. These were not remotely like the cardboard figures, these large human beings thrusting themselves forward, some too fast with lively steps I had not foreseen…We had only done the first stage movement, letter A on my chart, but already everyone was wrongly placed and movement B could not follow… Was I to start again, drilling these actors so that they conformed to my notes? One inner voice prompted me to ddo so, but another pointed out that my pattern was much less interesting than this new pattern that was unfolding in front of me…I stopped, and walked away from my book, in amongst the actors, and I have never looked at a written plan since.’

I hope you can begin to see where Gorringe begins to see how God might work with human beings.

Join me tomorrow for part two of this post. Go and have a cup of tea or whatever your beverage preference is and I ask that you mull over how you see God working His plans in your life. Have you ever struggled with the idea of God having one plan for your life and that’s it? How do address life decisions? Have you ever struggled with discerning prayer?

See you tomorrow…