Tag Archives: God

In The Minster (part I)

At the end of day two of my placement at York Minster there seems to be one big question running through my head and the conversations I’ve been having; “What’s the difference between Cathedral ministry and parish ministry?”

Canon Glyn Webster describes his role at the Minster as “The Parish Priest of the community” despite the Minster not being a ‘parish’. He sees his role as overseeing the pastoral needs of those who work and worship in the hallowed Gothic building in the centre of York. The staff here are amazed (and glad to tell me) that the Minster congregation is growing. Early morning Matins and Evensong every day and all Sunday services have increased their regular number over the last decade or so. This has not surprised me. Having spent the last two years working with Durham Cathedral and listening to many who work in Cathedrals across the country, this trend is shared by most of the Cathedrals. Why is this?

I had a very encouraging conversation with an ex arch-deacon of Cleveland, Ron Woodley today. He spoke passionately about parochial ministry and encouraged me by stating that “It’s the greatest life you’ll ever live. It’s hard but on balance I have never known of a more joyful life!” What a ringing endorsement from someone who had 40 years of active ministry. In the midst of our conversation he said something that rang true and has been helpful in my reflections. He suggested the difference between parish ministry and the ministry of the Cathedral is the Cathedral offers worshippers anonymity where parish life doesn’t.

I believe that to be true but is that a benefit or problem?

I have no doubt that there is a strong sense of community here in the Minster. I sat through a very touching funeral of a staff member and the sense of community was palpable. The packed quire at both the funeral service and at Evensong last night speaks of a committed worshipping community. During the worship, however, you just fade into the milieu of faces. I, personally, love that. I am not important to be individually picked out but I am just one, tiny speck, in a sea of people all worshipping and praising the almighty God.

In parishes, I have experienced a cry to ensure everyone is welcomed and identified and spoken to and acknowledged. This is very important if people are to feel part of a community. Too often we become insular and cliquey isolating and rejecting the new-comer. The sign of peace is a time to speak to and individually welcome each member of the community into worship. There is no anonymity. People want to and need to talk to you, know how you are, who you are before worshipping. There is no fading into the background and having time with God.

Here is the strange paradox; In order to have a personal moment with God, un-hindered by the concern that people might be looking at you, you need to fade into the sea of people. But to make people feel part of the sea of people we feel the need to personally meet and greet each person.

I find it interesting that Cathedral congregations are growing. Is it because that anonymity is important? That sense of a private experience in the protection of the mass of people is an aspect of our culture at the moment, is it not? In the development of evangelism of the last couple of hundred years we have seen a journey from up the front delivery to conversational, didactic forms of evangelism. The issue we face at the moment is no one even wants to ask the questions or engage in conversation. Many people have researched and studied the trends and we find ourselves in a culture that no longer asks questions of faith. I’m not saying that the Alpha model of evangelism, answering the questions of life, is outmoded but the research shows that it is increasingly difficult to get people wanting to even go to the meal!

What Cathedral worship offers which parish ministry doesn’t nor shouldn’t offer is the chance of a private, personal, surprise encounter with God. This may well lead onto the need for Alpha or any conversation with people of faith.

We have been trying to wrestle with this in our ‘Fresh Expression’ in Durham Cathedral (UR32B.wordpress.com). At the heart of this service is the desire to encounter God in the space; un-intrusive, anonymous, private encounters. We have struggled with the issue of how we create community with people who only want to experience God privately and not in community. How do you establish a Eucharistic community in this individualistic environment?

I’m not sure I can, yet, answer that question but what I can say is I believe that this anonymity in worship is what many unchurched people would be happy with rather than being thrust into a gathering where everybody knows everyone else and you are clearly the ‘stranger’; where in the worship you feel judged and on display. Where you are so busy worrying that you do and say the right thing that you don’t have the chance to experience something transcendent.

Cathedral worship allows you to ease into an experience of God whilst, at the same time, being part of a big group of people, all experiencing the same thing as you. Although nothing is said or physical contact made you still feel a huge sense of a united community, sharing the spiritual realm.

It is this truth that seems to be resonating for me at the moment in my last couple of posts. So I pray that as I continue on this placement that God will bring more revelations that will help me to articulate these thoughts!

MediaLit (part III)

Digital ‘space’?

In our final session on our final day at the MediaLit Conference we began a massive conversation with Prof. David Wilkinson. Although his seminar was on Theology and Apologetics it led to a heated debate about whether we can call the internet a ‘space’. We often use language of inhabitation of the internet leading to the image of a space in which to exist. Andrew Graystone, Director of the Churches Media Council, tried to helpful distinguish between digital ‘space’ and digital ‘environment’. He has stopped using the term ‘space’ as it leads to the confusion, but digital environment confuses me! How do I relate to environments? What is the analogy that will help in my understanding?

This discussion lead me to ask questions of the nature of ‘space’.

Earlier in the week we discussed online Eucharist. This is an online experience where people, inhabiting separate spaces join together through the digital media and share in the sacrament of Communion. This unsettled me from the start! Partly because one example was given that people broke their own, individual piece of bread, in their separate spaces. How our individualistic culture has even impacted the communal experience of faith!

Before anyone begins the discussion of physical restrictions on parts of our society through medical or circumstantial issues, I want to stress that I appreciate the complexities some people face trying to belong to a sacramental community. Allergies, Fears, Mobility; all of these shut down any possibility for some people to get to a certain space at a certain time to feel they belong and can participate in the life of a community. But there are big issues here!

Two main points to raise in the limited space and time I have had to reflect on this. One of them, interestingly, is about space and time.

To be ‘present’. What do we mean by present? To answer that I should ask it in a different way; what do we mean by ‘absence’? Absence is the state of being away from a place or person. In this definition absence is marked by spatial measurements, is it not? Let’s not begin to deconstruct it (at the moment at least) into the emotional absence of a person but let us affirm the shared idea that if I am not in the same geographical area as you I am absent. To be present, therefore, is, in some way, to share the same geographical location. This is a traditional understanding of the term. The problem arises when we try to experience ‘presence’ through digital media. Can this experience ever be achieved if people are separated by geographical locations?

In MediaLit (part II) we explored the idea that, through prayer we can become a community which is not defined by shared geographical space. This issue is compromised if we extend the same definitions into the sacramental act. My theological assumptions come into play here so I will state them clearly. I believe in the presence of Christ, particularly during the sacramental act. This presence is based on both a temporal aspect (i.e. He shares the time in which we exist) and spatial (i.e. He shares the space in which we exist.) Having said that, however, I begin to question what I mean by that. When we claim ‘His Spirit is with us.’ in the liturgy what are we proclaiming? That His Spirit exists in the same spatial reality as us? The truth of the incarnation ‘complexifies’ this by suggesting that God does not compete in space with us…

The Sacraments are both communal and reality changing. Reality is measured both in time and space. In order to change reality it must change both of these aspects. Christ must be present both in time and in space. This can still be affirmed within the context of the solo Eucharist. The communal aspect of the sacrament is important here. We are brought together, through the Eucharist, into the Body of Christ. What does this mean? Maybe I could be bold in suggesting that, He is present because we are present. I mean this in its widest possible way! Your physical presence changes the reality of the whole community and, likewise, the presence of the community changes your reality. Christ is spatial present through the Holy Spirit in the community, gathered in the same time and space (reality).

If we take out the spatial aspect of the Eucharist do we remove, in some way, the ability of reality to be fully changed ?

The second point I want to reflect on is the role that affirmation of self plays within the sacraments. I have begun to write a chapter on the need in community to affirm self-expressions by adopting them into communal-expressions (i.e. the expression of who/what the community is.) Our culture has reduced self-expression down to whatever you think or feel is truly authentic to you. This is impossible,

If your life is centred on yourself, on your own desires and ambitions, then asserting those desires and ambitions is the way you try to be true to yourself. So self-assertion becomes the only way of self expression. If you simply assert your own desires, you may have the illusion of being true to yourself. But in fact all your efforts to make yourself more real and more yourself have the opposite effect: they create a more and more false self. (Christopher Jamison, Finding Sanctuary)

Community is necessary in self-expression. This is, like a lot of aspects of community, both a potential blessing and a potential abuse.

Sacraments are communal events because any self-expression of faith needs to be affirmed by a community of others. This is highlighted in Stephen Hawking and Leonard Mlodinow’s latest book ‘A Grand Design’. where they suggest particles only have definition if they are observed where as the unobserved past is full of possibilities. It is the observation of reality that gives it definition. This has huge implications to the sacramental changes in reality.

I am suddenly aware of the hugeness of this issue. I don’t envy Dr. Pete Phillips as he discusses this at Methodist Conference later next week. I wonder if anyone is discussing it in the Anglican church?

MediaLit (part II)

Prayer.

As I prepared the Morning Prayer for yesterday’s MediaLit Conference I immediately decided to use the Northumbria Community’s liturgy. I was struck by the dilemma I faced; do I use the readings and meditations set down for the Community or do I choose ones that would lead people to reflect on our unique setting of the Conference? I thought about what readings would be appropriate and then it struck me. The monastic life is a reflection on social media, connectedness, communication and shared ethereal life which is not based on geographic location.
I chose to use the readings of the community and asked the gathered group, in the geographical location of that chapel, to hold in their minds that there are people across the country sitting in different places sharing our prayers and engaging with the same Scripture. This community (local) was being connected to a community (wider) through the means of a ‘media’; prayer.

What a lot of questions are rushing into my mind as I write that! Is it prayer or shared life, shared intentions, shared focus? ‘Shared’… Community is about gathering around that which is common to those people; the shared. Is this inclusive or exclusive? Probably both!

The internet and all forms of social media and broadcast media are open shared space. Anyone can access it (if they have the portal and desire to) it becomes impossible to police and to articulate the commonality. Can the internet hold a common principle? Is the internet community if there is not a commonality apart from the inhabitation of the same space?

But before we continue down this argument to end on the great proclamation that the internet is not ‘community’ let’s ask the question; Does shared prayers mean ‘shared’? or to put it another way; Can prayers ever be shared?

The Northumbria Community is a disparate community joined together by the Rule of life and the liturgical rhythm of prayer. The Rule of life consists of principles not prescriptive but more like a lens through which can guide you to ethical and relational decisions. The nature of the Rule, based around questions, allows for multiplicity of thought and articulation but the commitment to shared approaches and intention.

I wonder if we could discover something of the same within the internet.

The Early Church was made up of many expressions of faith connected by many things; apostles’ teachings, written communications through communication routes and a shared intention and approach to life. What is our ‘teaching’? How do we use communication routes to connect? and do we have shared intention and approach? And, I guess the caveat question is, do we need any of these?

We finished that same day with a prayer activity where we linked our prayers together visually with the use of wool. One person would say a prayer and throw the ball of wool to another. This created a web of the wool. Again the questions come; did I share all the prayers? Was that the point? What do we mean when we talk about being connected in prayer?

After all this I can be assured that the same problems surrounded the monastic life and the Early Church that face us now in how we connect whilst not sharing geographical location.

MediaLit (part I)

Fear.

As I sit in MediaLit Conference this week I’m becoming acutely aware of the many fears that impact all of our responses to new ideas, new people, new aspect of people, the list goes on. Some are implicit whilst others are explicit. For all the new information, tools and concepts that are being introduced the moments of real revelation have been, for me, the times of acknowledgement of fear.

I can’t speak for the other delegates present but I’m happy to say, “I’m afraid.”

Christ proclaims, “Do not be afraid!” and I want to not fear but I do, at times. It’s good to acknowledge my restricted view of life and the fear that surrounds my thoughts, actions and words. So there are two questions; “What am I afraid of?” and “What am I afraid for?” I am afraid of facing upto my finiteness. I am afraid of being found out as a fraud, a liar, a selection of contradictory images that don’t hold together. I am afraid that I may be actually be the fool that I desire to be. I am afraid that my prayers and desires are actually being answered and I may actually have to face the pain of transformation.
What am I afraid for? Here’s the difficult question. Fear is a defence mechanism to protect us from harm. At times this may be irrational or even unfounded but the consume us. Should we rush into all that is fearful? Many radicals would say “yes.” I’m inclined, as a wannabe radical to agree with them but I have caution in saying so (another fear!)

I think that I am afraid in order that I acknowledge God and my doubts of Him. The fear of God is my greatest fear. I am, above all, afraid that God may in fact be real and He is in control and I’m not. God may actually have His way which so often contradicts mine. I am afraid in order that He reveals Himself. So why does He repeatedly proclaim “Do not be afraid.”?

God commands this after His revelation. one could suggest that thing that we should not be afraid of is God Himself. This, therefore, suggests that it is possible to fear God and that it is after God is revealed and acknowledged that God settles those fears.

What am I afraid for? To have God revealed as that which is to be feared above all things in order that I can acknowledge and relate with Him and then He will settle my fears.

Monasticism and Asceticism (part III)

The previous year I spent the night reading the book of Isaiah, from chapter 1 verse 1 to its climactic finish in chapter 66 verse 24. Afterwards I read the book of Acts, went to an early morning prayer meeting then onto a the Quiet Day on Holy Island to read Peter Brook on Artaud. This year myself and TMBI (Monastic Ball of Intensity) decided to do a night of Psalms. We would start the evening by doing Compline and read every Psalm through the night interspersing them with prayers of Cuthbert. Having been inspired by the Northumbria Community recently I used the Compline for the day (Tuesday) which happened to be a compline in dedicated to St Cuthbert…this was apt!

There were four, barefoot men who took it in turns to read all 150 Psalms; some softly, others shouted. What struck me as I spoke out prayers, laments, praises and sorrows was how quickly the tone changes in the Psalms, one moment you’re proclaiming the love and grace of God the other you’re stating that God has left you.

The other interesting thing I discovered was there were several times when I didn’t connect, personally, with the prayers of the Psalmist. I wasn’t sure where I was spiritually or emotionally as I went into this vigil but I found myself expressing things and thinking “I don’t really feel this right now.” However, the more I tried to inhabit the Psalm the more I felt the pain or joy or whatever emotion drove the particular psalm. Reading them and inhabiting the prayers gave me an opportunity to develop emotional memory. I have never feared for my life like the psalmists have but by placing myself in their position and delving into their emotional prayers I was able to empathize with them. As the night went on I began to really connect with the sentiments and human experiences painted throughout this collection of songs.

When we got to the final 4 chapters at 3.30am the four of us stood around the Bible by candlelight, watching the light begin to appear behind the stained glass window of depicting the crucified Christ.

Praise the LORD. Praise the LORD, O my soul.

As the praises built to their exultant crescendo, our voices raised to hoarse shouts as we all battled to shout louder than the others. The incense had filled the chapel, the candles’ smoke licked the air and we stood, four disciples praising God, cold, tired but joyful.

We left in the early morning light and walked home together discussing what we had experienced. Some common phrases came through for us. One was The Message’s translation of ‘his steadfast love endures forever.’

His love never quits!

Despite all the isolation, rejection we may feel from God ‘His love never quits.’ What remained for me, though, was how the prayers continually asked for mercy to be shown to us who have strayed or made mistakes and how quickly the psalmists pray that God shows no mercy to our enemies. I still find it difficult to pray that our enemies’ children’s skulls get smashed against the rock! As I arrived home I realized that the Psalms articulate every human emotion even vengeance, this doesn’t mean that God will answer those prayers but He will allow us to state them and for us to feel them because as soon as the psalmists pray for destruction on their enemies they soon realize that they themselves are also corrupt and deserve punishment and so the mercy shown to them is to be shown to all who are corrupt and,

Who is blameless before the LORD?

Sarah, not expecting me home, had left her key in our front door and I didn’t want to wake her up (I was also very tired and not thinking logically) so I decided to have a nap in our car. This was a bad mistake! I woke after a disturbed nap of an hour and rang our house phone (Sarah had turned her mobile off!) I was cold… really cold. I slipped into our bed shivering and with muscle spasms.

I woke again an hour later and got up to walk back into college to tidy up and prepare for the Quiet Day away.

When we got to Holy Island we were led through The Northumbria Community’s Morning Prayer and were re-introduced to Cuthbert and Aidan. I had spent the night with the memory of St Cuthbert but really felt called to walk this day with Aidan.

St. Aidan was called to Nortumbria by King Oswald after a failed mission trip by another missionary. Aidan became a popular and much loved Bishop because he focussed on relationship and meeting people where they were. Aidan was more of a missionary than a hermit but lived a life of balance; using his times alone to fuel his times with others. His life and prayers have been, in recent weeks, sources of great encouragement and inspiration.

I sat for some time on Cuthbert’s Island, the screams of the seals absent, staring at the mainland. I was struck, again, by the gulf of sea separating me from the millions of people living their life in England. I felt torn. Spiritually do I want to sit here, isolated and alone praying and ensuring my own house is sorted before heading out? Or do I cross the gulf and live amongst people? Aidan’s prayer (see Monasticism and Asceticism (appendix i) post) helped me to reflect on this. and again the psalms came to mind. I am a worm, nothing, but God’s steadfast love endures forever. There are times when people do my head in and I want everyone to leave me alone, stop demanding so much from me and give me space to be but as I pray for ‘justice’ and punishment to be brought upon them I remember that His love never quits!

Deadly Theatre Deadly Worship?

I’m aware I haven’t written about theatre for a long time so I want to unpick some thoughts I’m currently wrestling with as I continue the long process of writing the book ‘God of the Gods’.

My placement this year has been focused on being in a ‘creative’ community and seeing what one might look like. (You can follow the placement through the ‘Theatre Church’ stream by searching this site.) My reflections have concentrated on the capitalist mentality that flows through both the process of theatre and our understanding of Christian community. I have written extensively on this theory but thought I might share aspects of it as it relates to thoughts on theatre from the man himself, Peter Brook.

The act of creating a piece of theatre should be a journey of discovery for all involved. The current economic climate, however, forces the focus away from the search for discovery to a mechanical, predictable process aimed at achieving the highest income for the lowest cost.

A producer, who holds the finances, in order to increase that potential investment, funds a startup productions in the hope of building both a portfolio, artistic clout and financial capital to further that aim. In order to gain the most income they need to produce a sellable product, something popular and so they invite ‘creative’ directors and/or writers to invent a concept or write a script that will meet those criteria. These ‘creatives’ are therefore conditioned to develop concepts or write scripts to pitch to a producer who decides whether it will make a return on their investment. Theatre is, therefore, often driven by the marketability of the product rather than the necessity of the expression itself. The creative act is done by a solo agent and is completed before the pitch is made in order that a clear ‘vision’ is communicated to the financier. The process to construct the product must be planned carefully in order that it is the most successful (success being both how well it embodies the original concept and the amount of people who consume it.) Auditions are held to get the right people for the right job/role. Actors are tested and interviewed to see who has the right skills to undertake the role in the shortest period of time. Rehearsals are characteristically one sided. Directors ensure that the actors are doing what needs to be done to create the product as the director/writer see it. The actors ask for clarification and performing the role as prescribed and not participating in a journey of discovery; they’re cogs in a machine.

Peter Brook notes,

…a theatre where a play for economic reasons rehearses for no more than three weeks is crippled at the outset. Time is not the be-all and end-all; it is not impossible to get an astonishing result in three weeks…But this is rare… No experimenting can take place, and no real artistic risks are possible. (Peter Brook, The Empty Space)

‘Deadly Theatre’, as Brook calls it, is one that lacks life. This, he suggests, is not as easily discerned as you might expect. For something dead can be dressed up to look alive like the lifeless puppet manipulated to imitate life. Can our Churches experiment? Can they, what theatre practitioners call, ‘play’? Can they take real ‘artistic’ risk? I’d argue ‘no’. If every Sunday, or what ever day the community worships, is a ‘performance’ to lure in seekers then there is no space for risk. If something ‘fails’ then it will impact potential clients. If we can begin to call the seeker-friendly service a performance then our ‘rehearsal time’ is one week! Brook continues,

The artistic consequences are severe. Broadway is not a jungle, it is a machine into which a great many parts snugly interlock. Yet each of these parts is brutalized; it has been deformed to fit and function smoothly… In such conditions there is rarely the quiet and security in which anyone may dare expose himself. I mean the true un spectacular intimacy that long work and true confidence in other people brings about – in Broadway, a crude gesture of self-exposure is easy to come by, but this has nothing to do with the subtle, sensitive interrelation between people confidently working together. (Peter Brook, The Empty Space)

This kind of theatre is like a disease spreading through our culture. The big West-End musicals are all veneer with no substance of necessary expressions of human beings. Audiences are fooled into thinking that the more jolly, colorful and expensive the design the more ‘theatrical’ it is. No one questions this shallow performance style which has seeped into classic works such as Shakespeare making words that have so much potential life become boring. We have all become accustomed to it and so no longer crave the pure, life giving theatrical art.

In churches, regular congregations have become accustomed to the lifeless worship that is dressed up to imitate life. These imitations take on may forms depending on a particular tradition. The pentecostal inspired charismatic services need only to increase the volume and emphasize the rhythm to bring on their ‘spiritual’ highs. Watchman Nee says,

We have heard people say that…the moment they hear the sound of the organ and the voice of singing their spirits are immediately released to God’s presence. Indeed, such a thing does happen. But are they really being brought to the presence of God? Can people’s spirits be released and drawn closer to God by a little attraction such as this? Is this God’s way? (Watchman Nee, The Latent Power of the Soul)

What are we aiming for in community? In Christian community I’d suggest that we are aiming to share the fruit of the Spirit in the character of Christ to be reconciled to God and one another. In our worship, therefore, we need to be praying and living in the power of the Spirit. That Spirit will then go out from us to the others and unite us all together and bring us resurrection life; life that will not end. In theatre community I’d suggest the aim is similar. We are looking for a life that inspires each person to express themselves in a communal expression. Our self expressions can be affirmed as holding ‘truth’ by inspiring something within the whole community. Thus, that which is life to the individual participant is shared and encourages the other to experience life themselves. How do we discern whether a piece of theatre or an act of worship has ‘life-giving life’? Watchman Nee distinguishes between the life of the soul and the life-giving life of the Spirit,

“The first man Adam became a living soul; the last Adam became a life-giving spirit.” (1 Cor 15:45)… The soul is alive. It has its life, therefore it enables man to do all sorts of things…The spirit, however, is able to give life to others and cause them to live… “It is the spirit,” says the Lord, ‘that giveth life; the flesh profiteth nothing” (John 6:63) (Watchman Nee, The Latent Power of the Soul)

Here it is important to state, one can perform a piece of theatre with life but it stops at self expression if it does not hold life-giving life or that which brings life to the observer/ the rest of the community. We are not searching for self expression but self expression within communal expression.

Christian community should pay attention to Brook’s warnings to theatre. We must discern carefully whether our self expressions don’t stop at the self but give life to others. We must be careful that our worship is not resuscitating our dead bodies for a moment but rather giving resurrected life. We can achieve this, I’m beginning to believe, by ‘playing’ constantly, feeling comfortable with others to experiment and to reject crude self expressions and aim for the self expression within communal expression that marks life-giving life to all. Feeling comfortable with others can only be achieved if we create space for vulnerability and commitment to community as a verb and not as a noun.

Finding God at the Other Extreme


As I enter my final week of my second year at college and I begin to say goodbye to friends with whom I have shared my journey of training, I’m forced to reflect on the nature of our community these past two years. These reflections have been informed by the opening section of Pete Ward’s ‘Participation and Mediation’ where he describes different typological scales of theology (not worth explaining just forget that bit!). Here he describes David Tracy’s continuum stretches from ‘orthodox theology’ to ‘radical theology’

For orthodox theology, says Tracy, ‘the claims of modernity are not seen to have any inner theological relevance’. In fact a commitment to orthodox belief and expression is seen as a ‘bulwark’ against contemporary philosophy and criticism. At the opposite extreme lies radical theology. Radical theologians are aware of liberal and neo-orthodox traditions; however, they have taken the crucial step, says Tracy, of applying the dialectic of neo-orthodoxy to faith itself. The result is a re-expression of the Christian tradition, ‘which negates the central belief of that tradition in God.’

Whether you understand or agree with Ward, what struck me about this description, and his other outlines to scales of theology, is how separate the two ends of the continuum are to each other. Having said this, however, on further reflection I’m more struck how closely these two ends are. Here I hit upon my major thought of our community at Cranmer Hall for the two years Sarah and I have been here. Society seems to put things on a scale and thus separate the two extremes. This leads to two wrong assumptions; one, that the two positions are complete negations of each other (black is the complete opposite to white) and two, the ideal position is in the middle, “both/and”, “everyone’s sort of right”.

The truth is ‘extremism’ is a dirty word in a world where hate crimes, terrorism and political uprising is a regular occurrence. Extreme positions define the boundaries in any collection of people; no more so than in Cranmer Hall. My peer group for the past two years have been defining themselves, individually and collectively, on this scale. On one end is ‘Anglo-Catholicism’ the other is ‘Charismatic-Evangelical’. Already there is an issue! Is ‘Charismatic Evangelical’ the opposite? Is not ‘Liberal’ the opposite? The scale, however, seems to have been drawn and you fit somewhere on the scale.

My year, however, have experienced something new. Instead of the scale being linear we have discovered that the closer one moves to the extremes the more we move to the opposite extreme. This creates more of a circular ‘continuum’. We have discovered that the difference between the two extremes is smaller than the difference between the extremes and the ‘compromising central’. Maybe a diagram will help.

My peers and I have discovered that the more radical/orthodox we become the more we seem to find common ground. It highlights and intensifies the disagreements but the heated debates only help to shape and mould us to find the most radical/orthodox position beyond all labels.

Our democratic society asks us to find the synthesis between a thesis and antithesis but the synthesis loses all the definition of the thesis and antithesis. political parties are wanting to be in the middle and has diluted all opinions or definition. The more middle they are the more indistinct they become. How can we live side by side whilst holding onto the extremes? Not by canceling each other out but experiencing what can only be described in practice as the radical meeting of the two.

In our first year we worshipped with strong flavors from the different traditions. This enabled one extreme to experience the other and to discover God in that act. This same approach was clear in the many debates we had in our common room. The more passionately one spoke of their faith the more respect from the ‘opposite’ view grew. This is the most beautiful part of this community; that it is when we seem to travel furthest away from our ‘tradition’ that we find God and I will celebrate this discovery next week as we experience the death of the community.

Pete Rollins has spoken about the approach to conflict in this way.

When faced with such a confrontation (that society all too often attempts to protect us from) our primal response is often one of either,
Consumption – Attempting to dissolve their difference by integrating them into our social body (making them like us)
Vomiting – Rejecting them from our social body as a foreign agent that must be expelled (protecting the integrity of our body)
Of course, most educated and enlightened communities attempt to avoid these very natural tendences, opting instead for a more reflective position that gets beyond these extremes of consuming the other or vomiting them out. This more thoughtful position can be described as eating with the other. Here the community seeks to sit down with the other and seek out places of convergence.
However this third position still operates from the same underling belief as the others,
Consumption – We are right and you are wrong. We shall integrate you
Vomiting – We are right and you are wrong. We shall reject you
Eating with – We are both right in some substantial way. Let us reflect upon where we converge and move forward together
In each of these cases we seek to exorcise or downplay the monstrosity of the other (their bizarre practices and beliefs). But what if one of the truly transformative encounters with the other is not where we try to annihilate their monstrosity (by abolishing it, rejecting it or domesticating it), but by coming into contact with our own monstrosity through it? In this alternative type of encounter we glimpse how we look through their eyes and begin to ask whether our beliefs and practices are just as strange.

So let us not create a bland faith or tradition but let us embrace what my fellow ordinands and I have discovered that orthodox is radical and radical is orthodox and we encounter each other and God not in retreating to the safe middle but by delving deeper into our extremism and discovering something (w)hol(le)y other!

(Sorry for the rushed thoughts… weekend activities saying goodbye are pulling me away from writing!)

Monasticism and Asceticism (part II)

As I walked towards the place of wailing seals and separation I remembered that the tide was in. Do I turn back because the spiritual experience I had been waiting for for five days was not accessible or do I go and see what happens distanced from the detachment?

I plodded on round the houses to the back of the church and out towards Cuthbert’s Island. I stood on the coast, the North Sea filling the gulf between me and the ‘holy place’. I was last here in June (see Monasticism and Asceticism post) and as I stood, my feet on a shifting stone shore, I thought about the time that had past.

There, almost a year ago, I had a moment with God that punched me in the stomach. Now as I finish my second year at college I am well accustomed to that feeling. Over the year, almost incessantly, I have gone from one beating to the next. The story of Jacob wrestling with God has become more and more ingrained in my spirituality; the loving, merciful aggression of God always holding back from using His full force which would leave me reeling into an abyss of non-existence and yet interlocked in an embrace.

To be honest I’m knackered! The white flag is waving and yet He stares as I catch my breath, smiling at me.

“Finished?”

“Let me catch my breath, Papa.”

“We don’t have to…”

But as I signal the end, admit defeat, a new energy arrives. I can do another round. Why? Because I feel myself getting stronger, resilient, more able. This round will be mine! As I engage again I remember that with each round He up’s the stake and reveals His ever increasing ability to overthrow me.

As I think of the endless tussling between me and my Maker I smile. I think of St Cuthbert sat, alone on this island in front of me. The tide ebbing and flowing, at times allowing people to cross and speak with him and him needing a more deserted sanctuary to be alone with God and their wrestling matches.

I continue to reflect on whether I am an introvert or extrovert. The restlessness and banality I turn to after spending too much time in conversation with people; to the deepest battering I receive when I spend too much time on my own. When I went through a Myers Briggs’ evaluation it told me I was right in the middle needing both solitude and companionship.

My place was truly on that island. At times the tide high forcing me to be alone to face my sinfulness and my merciful King, at others the tide allowing a causeway to community, hospitality and friendship. This leads me back to my reflections on the Northumbria Community who I visited on the same day as my last visit to Holy Island.

I have organised with Pete Askew to go on placement with the Northumbria Community in September. Sarah and I had gone a talked with Pete the day before and I was struck by how much their approach to spirituality and living a Christian life fitted with my own discoveries over this year.

This is the Rule we embrace. This is the Rule we will keep: we say YES to AVAILABILITY; we say YES to VULNERABILITY.
We are called to be AVAILABLE to God and to others:
Firstly to be available to God in the cell of our own heart when we can be turned towards Him, and seek His face;
then to be available to others in a call to exercise hospitality, recognising that in welcoming others we honour and welcome the Christ Himself;
then to be available to others through participation in His care and concern for them, by praying and interceding for their situations in the power of the Holy Spirit;
then to be available for participation in mission of various kinds according to the calling and initiatives of the Spirit.
We are called to intentional, deliberate VULNERABILITY:
We embrace the vulnerability of being teachable expressed in:
a discipline of prayer;
in exposure to Scripture;
a willingness to be accountable to others in ordering our ways and our heart in order to effect change.
We embrace the responsibility of taking the heretical imperative:
by speaking out when necessary or asking awkward questions that will often upset the status quo;
by making relationships the priority, and not reputation.
We embrace the challenge to live as church without walls, living openly amongst unbelievers and other believers in a way that the life of God in ours can be seen, challenged or questioned. This will involve us building friendships outside our Christian ghettos or club-mentality, not with ulterior evangelistic motives, but because we genuinely care.

As I walked away from Cuthbert’s Island and into the town I thought about God’s call on my life. Who am I? What’s God forming me into? Is it God who is forming me or my own self-delusions? I am close to God or far from Him? Is this wrestling one of discipline or formation? But above all of these the question arose again, as I looked at the picture of the island cut off from the shore, Am I missing the tides that will unite me with a community and cut me off for contemplation?

This year has been a year of ‘right thinking at the wrong time’. I’ll catch a glimpse of God and rush to tell people but it’s too early because as I step onto the shore of others and the tide does its thing I find myself trapped and needing to go and be alone. Or I’m on the island too long and friends and family get worried and concerned by my isolation.

Is the monastic life one of complete isolation from the world? Where is the mission? The spreading the good news?

The ebb and flow of ‘the mixed life’ of the contemplative and active, of monastery and mission, withdrawal and engagement, solitude and Community, together makes the Northumbria Community ethos.

An Idea! (part II)

We’ll start by beginning to gather the five questions we finished with and making some possible links between them.

I think the first question, ‘who are ‘artists’?’, is a key question.

At the heart of this is who is creative? What makes some people creative and others not? The research that showed that the same act of recalling our episodic memory is similar to the act of imagining future episodes and creating a construct in our ‘mind’s eye’ show some correlation between the act of remembrance and creativity. In remembering an incident or episode we are involved in a creative act. Our brains are being creative. As human beings, therefore, in any act of remembering, recalling past events, we are being creative. I would suggest we are all, naturally, creative. There is, of course, some extreme cases of damage to this part of our brain where people can’t remember but, on the whole, we are creative.

In Genesis we read that God made us in His image. What this means is a massive concept but I want to draw on the creativity of God. I believe God created everything, He constructed it in His mind (if He had one) and constructed it in reality… wow the complexity is frightening! As humans we have been given the faculty, from God, to do likewise. His first command to us is to go forth and multiply…create. Now, creation of a child does not take any brain activity. When most people approach sex they don’t imagine the future child! God, however, seems to give humanity a special task of managing and subduing creation, this is a creative act. God asks us to be creative with His world to adapt it and grow it. The term ‘bara’ used in the creation narrative is the verb ‘to create’ and it is only used with God as the subject. Only God can ‘create’. As humans we are able to re-create. The research seems to suggest that we have an innate creativity in all of us.

For some this is easier than for others but I don’t think we can divide up humanity into those who are creative and those who aren’t. All of us are creative and all of us are able to be part of a creative act.
This may answer the second question, ‘how is the act of remembrance connected with creativity?’, and goes on to connect with this understanding of exile as ‘fertile ground’.

When we go into exile we are forced to participate in an act of collective recollection. This is an act of creativity. A group of people are forced to be creative and, therefore, participate in an act of humanity ‘made in the image of God’ and, therefore, are imitating God.

This may then answer the question, ‘Why does God seem to turn up in the time of exile?’ God turns up in exile when we start to, by recalling and being creative, etc., act in a way that is God-like.

This all has massive implications in the original question, ‘how does the church connect with ‘displacement deniers’?’.

I have for some time felt called to ‘artists’ and in particular theatre artists. This category has been extended as my understanding seems to be that all people are creative and therefore artists. This is un-helpful for me. My definition needs to be addressed. Artists must be restricted to describe a person who engages in art, a certain type of creative act. Everyone is able to engage with art but some choose not to and others do. Artists (those who choose to engage with art) tend to be more spiritually aware than those who do not choose to engage with art. Is art, therefore, key to spiritual awareness?

I’d like to suggest that it is and if we take this on board, with the body of evidence given previously, then to engage those people who deny their spiritual side we need to engage them in artistic endeavour for a
period of time.

Why is it some people don’t like art? There must be a hundred and one reasons why some people don’t but I’d like to be naive and suggest there is a fear or confusion as to how one engages in art. I need to look into this area!

What if the way we, as the church, connect with ‘displacement deniers’ is to put them into exile? Put them into a place where they are forced to recall the past, ache for home, emotionally engage with episodic recollection? Exile is the place where stories are told. Story-telling the basic creative act; it’s the act where we consciously recall episodes. When we do this we are also able then to imagine future constructions and be ‘creative’ and produce art; painting, theatre, music, etc. It is in this act of creativity that in some mysterious way God appears and/or we become aware of our spiritual life.

In my placement I’m excited by what we are discovering together about how we are creative, the correlation between nostalgia, exile and community… Thank you God for beginning this journey and thank you for bringing me such creative people to explore with.

An Idea! (part I)

I’d like to start by apologising for my absence from this blog site. This is due to a whole load of issues culminating in a very busy period at college. Thankfully that season has gone and I head into a winding down for the Christmas break.
During my short break from writing there have been a lot of reflections buzzing around my head that, in some way, connect together and I’ve been struggling (without the blog to help) to connect them up. Yesterday, however, I had a moment where several hunches collided together and I started to travel on journey of creativity… and creativity sits at the heart of the idea.

Before I begin the story I want to add a preface: This is still incomplete and, as usual, would be open to engagement from you, the reader.

Where do I begin?

I have two starting points for the same proposal; one is from the initial spark of the idea, the other is from the point where all the little hunches have come together into this idea…or I could go from the middle and allow everything to network onto that… that’s three… I’ll choose the third!

Ian Mobsby, the ordained leader of the Moot community (see ‘Sacramental Theatre (part IV)‘ post), visited our college on Tuesday to speak on New Monasticism and how those researching this form of missional church is connecting with ‘unchurched’ people in this hybrid context of pre-modern, modern and post-secular culture. What do all those terms mean? Unchurched defines those who have never had any contact with church. Pre modern describes those aspects of culture that pre-date the printing press, e.g. the sense of self and purpose often expressed via a faith in a deity or deities, a lack of emphasis on the individual preferring the understanding of communal. Modern are those aspects of culture that have come in after the invention of the printing press, e.g. scientific objectivity, the need or desire for evidence to prove arguments, a disregard of that which cannot be quantified or set. Mike King defines post-secular as

• a renewed interest in the spiritual life
• a relaxation off the secular suspicion towards spiritual questions
• a recognition that secular rights and freedoms of expression are a prerequisite to the renewal of spiritual enquiry
• a spiritual and intellectual pluralism, East and West
• a cherishing of the best in all spiritual traditions, East and West, while recognising the repression sometimes inflicted on individuals or societies in the name of ‘religion’

Mobsby sub categorised the ‘unchurched’ category into groups of differing spiritual awareness all of which are, in some way, being connected with by the church through different relationships. One, however, has been overlooked; ‘displacement deniers’.

This category is for those in our society who deny their need for spirituality or God and displaces that hunger with activity. This describes, to greater and lesser extents, the majority of people I come in contact with. Are artists in this category? I’d say “generally no”. Artists, as I have said before, are spiritual people, aware of that aspect of their life but I have begun to notice that ‘artists’ although aware of their spirituality can also be sub categorised into two parts; ‘engagers’ and ‘deniers’. That seems to be saying that artists are like everyone else and they are! What a surprise!!! But to say all artists are spiritual does not fully describe the group, in fact by dividing this group in this way I begin to see that the grouping ‘artist’ is unclear and complex…

Michael Sadgrove, Dean of Durham Cathedral, came to speak at college a couple of weeks ago on the topic of ‘Laments in the Psalms’ but focussed on the themes of remembrance, memory and exile. I’ll start with the theme of exile. I’ve been interested in this idea for some time now, since reading ‘Exiles’ by Michael Frost and hearing Rob Bell preach on the first chapters of Ezekiel (which have had a big impact on my call to ministry!) Frost argues that the church finds itself in exile; a group in an alien culture like Israel in Babylon. Some could argue that, in this multi-cultural, facetted, predominantly secular society of the UK, most people could describe themselves as exiles. Sadgrove discussed his observations of Rememberance Day; an act of collective remembering, a time when we deliberately reflect on the past. This day, Sadgrove observed, has become increasingly popular in recent years and he could not explain why. I’d like to suggest that it is this has something to do with the sense of exile most people, both inside and outside the church, connect with…

What is exile? I’d define exile as a place or mindset of unsettledness, a place where you do not feel ‘at home’. It is also a place where we are forced to look and reflect on where we have come from, home. To think about what ‘home’ means to us. Exile is, Sadgrove said, ‘fertile ground’. There is something in this place of exile that causes creative growth and powerful transformation. Biblically, also, exile has always been a place where God has moved. We think of the wilderness in Egypt, Babylon, post-exilic Jerusalem for Israel. It is in these places (particularly the latter) where ‘God turns up’. Let me take Ezekiel as an example. His home, both spiritual and physical, is destroyed and he is dragged out from there. He is forced, in Babylon, to reflect on his home. It is while he is reflecting, remembering, that God comes in a powerful vision and Ezekiel falls face down and worships…

In the group that I’m a part of for placement, we’ve been discussing the topic of ‘home’. We’ve been telling stories of ‘home’ and common themes have been appearing; family, comfort and shared history. This final idea has struck me as important.

Sadgrove spoke on the idea of ‘nostalgia’ and defined it as ‘an aching for home’ which is an interesting definition compared with the accepted understanding as ‘a yearning for the past, often idealised.’ Is there something in that comparison between ‘home’ and ‘the idealised past’?

As the group has discussed ‘home’ and shared history there will inevitably be a glossing of the facts, an idealising, an interpretation of the past. Rowan Williams, in his book ‘Why Study the Past?’, suggests that the past can never be seen objectively, historians cannot remain aloof from the telling of history. One member of the group said they’d been present at a lecture on memory and heard the suggestion that the act of remembering occurs when the brain recalls a sensation, previously experienced and then attempts to paint the individual sensations that made up that experience, i.e. the visual, the audible, the tangible, etc. Memory is a complex thing and research is still being done on how the brain ‘remembers’ but what most psychologists do agree on is that the act of remembering a specific episode is deeply interrelated to the act of future episodic construction in the brain (see ‘Using Imagination to Understand the Neural Basis of Episodic Memory’ article)…

We currently have five major questions; how does the church begin to connect with ‘displacement deniers’? who are ‘artists’? how is the act of remembrance connected with creativity? Why does God seem to turn up in the time of exile?

I’ll pause there so you can gather your thoughts.

I’d usually publish the next part tomorrow but I’ve published the two parts together so, if you are up for it, you can continue to read today and not lose your flow of thoughts and ideas.