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MediaLit (part I)

Fear.

As I sit in MediaLit Conference this week I’m becoming acutely aware of the many fears that impact all of our responses to new ideas, new people, new aspect of people, the list goes on. Some are implicit whilst others are explicit. For all the new information, tools and concepts that are being introduced the moments of real revelation have been, for me, the times of acknowledgement of fear.

I can’t speak for the other delegates present but I’m happy to say, “I’m afraid.”

Christ proclaims, “Do not be afraid!” and I want to not fear but I do, at times. It’s good to acknowledge my restricted view of life and the fear that surrounds my thoughts, actions and words. So there are two questions; “What am I afraid of?” and “What am I afraid for?” I am afraid of facing upto my finiteness. I am afraid of being found out as a fraud, a liar, a selection of contradictory images that don’t hold together. I am afraid that I may be actually be the fool that I desire to be. I am afraid that my prayers and desires are actually being answered and I may actually have to face the pain of transformation.
What am I afraid for? Here’s the difficult question. Fear is a defence mechanism to protect us from harm. At times this may be irrational or even unfounded but the consume us. Should we rush into all that is fearful? Many radicals would say “yes.” I’m inclined, as a wannabe radical to agree with them but I have caution in saying so (another fear!)

I think that I am afraid in order that I acknowledge God and my doubts of Him. The fear of God is my greatest fear. I am, above all, afraid that God may in fact be real and He is in control and I’m not. God may actually have His way which so often contradicts mine. I am afraid in order that He reveals Himself. So why does He repeatedly proclaim “Do not be afraid.”?

God commands this after His revelation. one could suggest that thing that we should not be afraid of is God Himself. This, therefore, suggests that it is possible to fear God and that it is after God is revealed and acknowledged that God settles those fears.

What am I afraid for? To have God revealed as that which is to be feared above all things in order that I can acknowledge and relate with Him and then He will settle my fears.

Monasticism and Asceticism (part III)

The previous year I spent the night reading the book of Isaiah, from chapter 1 verse 1 to its climactic finish in chapter 66 verse 24. Afterwards I read the book of Acts, went to an early morning prayer meeting then onto a the Quiet Day on Holy Island to read Peter Brook on Artaud. This year myself and TMBI (Monastic Ball of Intensity) decided to do a night of Psalms. We would start the evening by doing Compline and read every Psalm through the night interspersing them with prayers of Cuthbert. Having been inspired by the Northumbria Community recently I used the Compline for the day (Tuesday) which happened to be a compline in dedicated to St Cuthbert…this was apt!

There were four, barefoot men who took it in turns to read all 150 Psalms; some softly, others shouted. What struck me as I spoke out prayers, laments, praises and sorrows was how quickly the tone changes in the Psalms, one moment you’re proclaiming the love and grace of God the other you’re stating that God has left you.

The other interesting thing I discovered was there were several times when I didn’t connect, personally, with the prayers of the Psalmist. I wasn’t sure where I was spiritually or emotionally as I went into this vigil but I found myself expressing things and thinking “I don’t really feel this right now.” However, the more I tried to inhabit the Psalm the more I felt the pain or joy or whatever emotion drove the particular psalm. Reading them and inhabiting the prayers gave me an opportunity to develop emotional memory. I have never feared for my life like the psalmists have but by placing myself in their position and delving into their emotional prayers I was able to empathize with them. As the night went on I began to really connect with the sentiments and human experiences painted throughout this collection of songs.

When we got to the final 4 chapters at 3.30am the four of us stood around the Bible by candlelight, watching the light begin to appear behind the stained glass window of depicting the crucified Christ.

Praise the LORD. Praise the LORD, O my soul.

As the praises built to their exultant crescendo, our voices raised to hoarse shouts as we all battled to shout louder than the others. The incense had filled the chapel, the candles’ smoke licked the air and we stood, four disciples praising God, cold, tired but joyful.

We left in the early morning light and walked home together discussing what we had experienced. Some common phrases came through for us. One was The Message’s translation of ‘his steadfast love endures forever.’

His love never quits!

Despite all the isolation, rejection we may feel from God ‘His love never quits.’ What remained for me, though, was how the prayers continually asked for mercy to be shown to us who have strayed or made mistakes and how quickly the psalmists pray that God shows no mercy to our enemies. I still find it difficult to pray that our enemies’ children’s skulls get smashed against the rock! As I arrived home I realized that the Psalms articulate every human emotion even vengeance, this doesn’t mean that God will answer those prayers but He will allow us to state them and for us to feel them because as soon as the psalmists pray for destruction on their enemies they soon realize that they themselves are also corrupt and deserve punishment and so the mercy shown to them is to be shown to all who are corrupt and,

Who is blameless before the LORD?

Sarah, not expecting me home, had left her key in our front door and I didn’t want to wake her up (I was also very tired and not thinking logically) so I decided to have a nap in our car. This was a bad mistake! I woke after a disturbed nap of an hour and rang our house phone (Sarah had turned her mobile off!) I was cold… really cold. I slipped into our bed shivering and with muscle spasms.

I woke again an hour later and got up to walk back into college to tidy up and prepare for the Quiet Day away.

When we got to Holy Island we were led through The Northumbria Community’s Morning Prayer and were re-introduced to Cuthbert and Aidan. I had spent the night with the memory of St Cuthbert but really felt called to walk this day with Aidan.

St. Aidan was called to Nortumbria by King Oswald after a failed mission trip by another missionary. Aidan became a popular and much loved Bishop because he focussed on relationship and meeting people where they were. Aidan was more of a missionary than a hermit but lived a life of balance; using his times alone to fuel his times with others. His life and prayers have been, in recent weeks, sources of great encouragement and inspiration.

I sat for some time on Cuthbert’s Island, the screams of the seals absent, staring at the mainland. I was struck, again, by the gulf of sea separating me from the millions of people living their life in England. I felt torn. Spiritually do I want to sit here, isolated and alone praying and ensuring my own house is sorted before heading out? Or do I cross the gulf and live amongst people? Aidan’s prayer (see Monasticism and Asceticism (appendix i) post) helped me to reflect on this. and again the psalms came to mind. I am a worm, nothing, but God’s steadfast love endures forever. There are times when people do my head in and I want everyone to leave me alone, stop demanding so much from me and give me space to be but as I pray for ‘justice’ and punishment to be brought upon them I remember that His love never quits!

Monasticism and Asceticism (appendix i)

I returned to Holy Island this week for a Quiet Day. I want to write a full blog on my experience like I did last year in Monasticism and Asceticism (part I) but I’m in the middle of finishing off the entertainment for the Leaver’s Party. This task is always great fun but takes up so much time! Next week I’ll put fingers to keys and get some of the thoughts out.

Until then I’d like to add to Monasticism and Asceticism (part II) (posted a couple of weeks ago) a prayer of St. Aidan which runs along the same thoughts. I love this prayer and has given me words to a sensation I’ve had for a while.

Leave me alone with God as much as may be.
As the tide draws the waters close in upon the shore,
Make me an island, set apart,
alone with you, God, holy to you.

Then with the turning of the tide
prepare me to carry your presence to the busy world beyond,
the world that rushes in on me
till the waters come again and fold me back to you.

Deadly Theatre Deadly Worship?

I’m aware I haven’t written about theatre for a long time so I want to unpick some thoughts I’m currently wrestling with as I continue the long process of writing the book ‘God of the Gods’.

My placement this year has been focused on being in a ‘creative’ community and seeing what one might look like. (You can follow the placement through the ‘Theatre Church’ stream by searching this site.) My reflections have concentrated on the capitalist mentality that flows through both the process of theatre and our understanding of Christian community. I have written extensively on this theory but thought I might share aspects of it as it relates to thoughts on theatre from the man himself, Peter Brook.

The act of creating a piece of theatre should be a journey of discovery for all involved. The current economic climate, however, forces the focus away from the search for discovery to a mechanical, predictable process aimed at achieving the highest income for the lowest cost.

A producer, who holds the finances, in order to increase that potential investment, funds a startup productions in the hope of building both a portfolio, artistic clout and financial capital to further that aim. In order to gain the most income they need to produce a sellable product, something popular and so they invite ‘creative’ directors and/or writers to invent a concept or write a script that will meet those criteria. These ‘creatives’ are therefore conditioned to develop concepts or write scripts to pitch to a producer who decides whether it will make a return on their investment. Theatre is, therefore, often driven by the marketability of the product rather than the necessity of the expression itself. The creative act is done by a solo agent and is completed before the pitch is made in order that a clear ‘vision’ is communicated to the financier. The process to construct the product must be planned carefully in order that it is the most successful (success being both how well it embodies the original concept and the amount of people who consume it.) Auditions are held to get the right people for the right job/role. Actors are tested and interviewed to see who has the right skills to undertake the role in the shortest period of time. Rehearsals are characteristically one sided. Directors ensure that the actors are doing what needs to be done to create the product as the director/writer see it. The actors ask for clarification and performing the role as prescribed and not participating in a journey of discovery; they’re cogs in a machine.

Peter Brook notes,

…a theatre where a play for economic reasons rehearses for no more than three weeks is crippled at the outset. Time is not the be-all and end-all; it is not impossible to get an astonishing result in three weeks…But this is rare… No experimenting can take place, and no real artistic risks are possible. (Peter Brook, The Empty Space)

‘Deadly Theatre’, as Brook calls it, is one that lacks life. This, he suggests, is not as easily discerned as you might expect. For something dead can be dressed up to look alive like the lifeless puppet manipulated to imitate life. Can our Churches experiment? Can they, what theatre practitioners call, ‘play’? Can they take real ‘artistic’ risk? I’d argue ‘no’. If every Sunday, or what ever day the community worships, is a ‘performance’ to lure in seekers then there is no space for risk. If something ‘fails’ then it will impact potential clients. If we can begin to call the seeker-friendly service a performance then our ‘rehearsal time’ is one week! Brook continues,

The artistic consequences are severe. Broadway is not a jungle, it is a machine into which a great many parts snugly interlock. Yet each of these parts is brutalized; it has been deformed to fit and function smoothly… In such conditions there is rarely the quiet and security in which anyone may dare expose himself. I mean the true un spectacular intimacy that long work and true confidence in other people brings about – in Broadway, a crude gesture of self-exposure is easy to come by, but this has nothing to do with the subtle, sensitive interrelation between people confidently working together. (Peter Brook, The Empty Space)

This kind of theatre is like a disease spreading through our culture. The big West-End musicals are all veneer with no substance of necessary expressions of human beings. Audiences are fooled into thinking that the more jolly, colorful and expensive the design the more ‘theatrical’ it is. No one questions this shallow performance style which has seeped into classic works such as Shakespeare making words that have so much potential life become boring. We have all become accustomed to it and so no longer crave the pure, life giving theatrical art.

In churches, regular congregations have become accustomed to the lifeless worship that is dressed up to imitate life. These imitations take on may forms depending on a particular tradition. The pentecostal inspired charismatic services need only to increase the volume and emphasize the rhythm to bring on their ‘spiritual’ highs. Watchman Nee says,

We have heard people say that…the moment they hear the sound of the organ and the voice of singing their spirits are immediately released to God’s presence. Indeed, such a thing does happen. But are they really being brought to the presence of God? Can people’s spirits be released and drawn closer to God by a little attraction such as this? Is this God’s way? (Watchman Nee, The Latent Power of the Soul)

What are we aiming for in community? In Christian community I’d suggest that we are aiming to share the fruit of the Spirit in the character of Christ to be reconciled to God and one another. In our worship, therefore, we need to be praying and living in the power of the Spirit. That Spirit will then go out from us to the others and unite us all together and bring us resurrection life; life that will not end. In theatre community I’d suggest the aim is similar. We are looking for a life that inspires each person to express themselves in a communal expression. Our self expressions can be affirmed as holding ‘truth’ by inspiring something within the whole community. Thus, that which is life to the individual participant is shared and encourages the other to experience life themselves. How do we discern whether a piece of theatre or an act of worship has ‘life-giving life’? Watchman Nee distinguishes between the life of the soul and the life-giving life of the Spirit,

“The first man Adam became a living soul; the last Adam became a life-giving spirit.” (1 Cor 15:45)… The soul is alive. It has its life, therefore it enables man to do all sorts of things…The spirit, however, is able to give life to others and cause them to live… “It is the spirit,” says the Lord, ‘that giveth life; the flesh profiteth nothing” (John 6:63) (Watchman Nee, The Latent Power of the Soul)

Here it is important to state, one can perform a piece of theatre with life but it stops at self expression if it does not hold life-giving life or that which brings life to the observer/ the rest of the community. We are not searching for self expression but self expression within communal expression.

Christian community should pay attention to Brook’s warnings to theatre. We must discern carefully whether our self expressions don’t stop at the self but give life to others. We must be careful that our worship is not resuscitating our dead bodies for a moment but rather giving resurrected life. We can achieve this, I’m beginning to believe, by ‘playing’ constantly, feeling comfortable with others to experiment and to reject crude self expressions and aim for the self expression within communal expression that marks life-giving life to all. Feeling comfortable with others can only be achieved if we create space for vulnerability and commitment to community as a verb and not as a noun.

Finding God at the Other Extreme


As I enter my final week of my second year at college and I begin to say goodbye to friends with whom I have shared my journey of training, I’m forced to reflect on the nature of our community these past two years. These reflections have been informed by the opening section of Pete Ward’s ‘Participation and Mediation’ where he describes different typological scales of theology (not worth explaining just forget that bit!). Here he describes David Tracy’s continuum stretches from ‘orthodox theology’ to ‘radical theology’

For orthodox theology, says Tracy, ‘the claims of modernity are not seen to have any inner theological relevance’. In fact a commitment to orthodox belief and expression is seen as a ‘bulwark’ against contemporary philosophy and criticism. At the opposite extreme lies radical theology. Radical theologians are aware of liberal and neo-orthodox traditions; however, they have taken the crucial step, says Tracy, of applying the dialectic of neo-orthodoxy to faith itself. The result is a re-expression of the Christian tradition, ‘which negates the central belief of that tradition in God.’

Whether you understand or agree with Ward, what struck me about this description, and his other outlines to scales of theology, is how separate the two ends of the continuum are to each other. Having said this, however, on further reflection I’m more struck how closely these two ends are. Here I hit upon my major thought of our community at Cranmer Hall for the two years Sarah and I have been here. Society seems to put things on a scale and thus separate the two extremes. This leads to two wrong assumptions; one, that the two positions are complete negations of each other (black is the complete opposite to white) and two, the ideal position is in the middle, “both/and”, “everyone’s sort of right”.

The truth is ‘extremism’ is a dirty word in a world where hate crimes, terrorism and political uprising is a regular occurrence. Extreme positions define the boundaries in any collection of people; no more so than in Cranmer Hall. My peer group for the past two years have been defining themselves, individually and collectively, on this scale. On one end is ‘Anglo-Catholicism’ the other is ‘Charismatic-Evangelical’. Already there is an issue! Is ‘Charismatic Evangelical’ the opposite? Is not ‘Liberal’ the opposite? The scale, however, seems to have been drawn and you fit somewhere on the scale.

My year, however, have experienced something new. Instead of the scale being linear we have discovered that the closer one moves to the extremes the more we move to the opposite extreme. This creates more of a circular ‘continuum’. We have discovered that the difference between the two extremes is smaller than the difference between the extremes and the ‘compromising central’. Maybe a diagram will help.

My peers and I have discovered that the more radical/orthodox we become the more we seem to find common ground. It highlights and intensifies the disagreements but the heated debates only help to shape and mould us to find the most radical/orthodox position beyond all labels.

Our democratic society asks us to find the synthesis between a thesis and antithesis but the synthesis loses all the definition of the thesis and antithesis. political parties are wanting to be in the middle and has diluted all opinions or definition. The more middle they are the more indistinct they become. How can we live side by side whilst holding onto the extremes? Not by canceling each other out but experiencing what can only be described in practice as the radical meeting of the two.

In our first year we worshipped with strong flavors from the different traditions. This enabled one extreme to experience the other and to discover God in that act. This same approach was clear in the many debates we had in our common room. The more passionately one spoke of their faith the more respect from the ‘opposite’ view grew. This is the most beautiful part of this community; that it is when we seem to travel furthest away from our ‘tradition’ that we find God and I will celebrate this discovery next week as we experience the death of the community.

Pete Rollins has spoken about the approach to conflict in this way.

When faced with such a confrontation (that society all too often attempts to protect us from) our primal response is often one of either,
Consumption – Attempting to dissolve their difference by integrating them into our social body (making them like us)
Vomiting – Rejecting them from our social body as a foreign agent that must be expelled (protecting the integrity of our body)
Of course, most educated and enlightened communities attempt to avoid these very natural tendences, opting instead for a more reflective position that gets beyond these extremes of consuming the other or vomiting them out. This more thoughtful position can be described as eating with the other. Here the community seeks to sit down with the other and seek out places of convergence.
However this third position still operates from the same underling belief as the others,
Consumption – We are right and you are wrong. We shall integrate you
Vomiting – We are right and you are wrong. We shall reject you
Eating with – We are both right in some substantial way. Let us reflect upon where we converge and move forward together
In each of these cases we seek to exorcise or downplay the monstrosity of the other (their bizarre practices and beliefs). But what if one of the truly transformative encounters with the other is not where we try to annihilate their monstrosity (by abolishing it, rejecting it or domesticating it), but by coming into contact with our own monstrosity through it? In this alternative type of encounter we glimpse how we look through their eyes and begin to ask whether our beliefs and practices are just as strange.

So let us not create a bland faith or tradition but let us embrace what my fellow ordinands and I have discovered that orthodox is radical and radical is orthodox and we encounter each other and God not in retreating to the safe middle but by delving deeper into our extremism and discovering something (w)hol(le)y other!

(Sorry for the rushed thoughts… weekend activities saying goodbye are pulling me away from writing!)

A poem for the season

I wrote this ‘poem’ for an Easter reflection last year. Thought I’d share it again this year. It is written from the point of view of Joseph of Arimathea as he takes the body of Jesus to bury him.

And all around the world keeps on spinning at the same pace and the same direction as it has done since it began. People went home after a day at work and locked their doors behind them while others stayed on the street to face the cold like any other night. Women gathered food for the evening meal and prepared for Passover while some suffered with illness, long past recovery or hope of healing. In lands far away, men continued to trade unfairly and used power to cripple their fellow human beings. We all know we should do better but one day we’ll die and where’s the justice?

And all around the world keeps on spinning at the same pace and in the same direction as it has done since it began. People lit their candles to starve off the darkness while others closed their eyes to embrace the darkness they always feel. Men pulled the blankets over themselves to fight off the cold while some ate the scrapes of food left for the wild dogs to eat. In lands far away, great healers shrug their shoulders and tell the family of death and decay and are baffled again at the cruelty of life and the unknown. We all want to defy the odds but one day we’ll die and where’s the hope?

And all around the world keeps on spinning at the same pace and in the same direction as it has done since it began. He was taken done and thrown away. Another rebel, another hopeful, another death. The heavens went silent and the sky went dark. God went absent and no one spoke.

In the darkness I travelled to the seats of power and demanded justice. I put my neck on the line one day too late. I took his body, cold and beginning to smell, and carried him to his final resting place. As I walked through the streets I passed lepers and cripples unhealed, carrying the great healer in my arms. I passed men embracing darkness of addiction, pain and sorrow, carrying the great light in my arms. I passed those who held power and wealth and near by the poor and destitute, carrying the good news in my arms. And he was silent.

And all around the world keeps on spinning at the same pace and in the same direction as it has done since it began.’

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Monasticism and Asceticism (part II)

As I walked towards the place of wailing seals and separation I remembered that the tide was in. Do I turn back because the spiritual experience I had been waiting for for five days was not accessible or do I go and see what happens distanced from the detachment?

I plodded on round the houses to the back of the church and out towards Cuthbert’s Island. I stood on the coast, the North Sea filling the gulf between me and the ‘holy place’. I was last here in June (see Monasticism and Asceticism post) and as I stood, my feet on a shifting stone shore, I thought about the time that had past.

There, almost a year ago, I had a moment with God that punched me in the stomach. Now as I finish my second year at college I am well accustomed to that feeling. Over the year, almost incessantly, I have gone from one beating to the next. The story of Jacob wrestling with God has become more and more ingrained in my spirituality; the loving, merciful aggression of God always holding back from using His full force which would leave me reeling into an abyss of non-existence and yet interlocked in an embrace.

To be honest I’m knackered! The white flag is waving and yet He stares as I catch my breath, smiling at me.

“Finished?”

“Let me catch my breath, Papa.”

“We don’t have to…”

But as I signal the end, admit defeat, a new energy arrives. I can do another round. Why? Because I feel myself getting stronger, resilient, more able. This round will be mine! As I engage again I remember that with each round He up’s the stake and reveals His ever increasing ability to overthrow me.

As I think of the endless tussling between me and my Maker I smile. I think of St Cuthbert sat, alone on this island in front of me. The tide ebbing and flowing, at times allowing people to cross and speak with him and him needing a more deserted sanctuary to be alone with God and their wrestling matches.

I continue to reflect on whether I am an introvert or extrovert. The restlessness and banality I turn to after spending too much time in conversation with people; to the deepest battering I receive when I spend too much time on my own. When I went through a Myers Briggs’ evaluation it told me I was right in the middle needing both solitude and companionship.

My place was truly on that island. At times the tide high forcing me to be alone to face my sinfulness and my merciful King, at others the tide allowing a causeway to community, hospitality and friendship. This leads me back to my reflections on the Northumbria Community who I visited on the same day as my last visit to Holy Island.

I have organised with Pete Askew to go on placement with the Northumbria Community in September. Sarah and I had gone a talked with Pete the day before and I was struck by how much their approach to spirituality and living a Christian life fitted with my own discoveries over this year.

This is the Rule we embrace. This is the Rule we will keep: we say YES to AVAILABILITY; we say YES to VULNERABILITY.
We are called to be AVAILABLE to God and to others:
Firstly to be available to God in the cell of our own heart when we can be turned towards Him, and seek His face;
then to be available to others in a call to exercise hospitality, recognising that in welcoming others we honour and welcome the Christ Himself;
then to be available to others through participation in His care and concern for them, by praying and interceding for their situations in the power of the Holy Spirit;
then to be available for participation in mission of various kinds according to the calling and initiatives of the Spirit.
We are called to intentional, deliberate VULNERABILITY:
We embrace the vulnerability of being teachable expressed in:
a discipline of prayer;
in exposure to Scripture;
a willingness to be accountable to others in ordering our ways and our heart in order to effect change.
We embrace the responsibility of taking the heretical imperative:
by speaking out when necessary or asking awkward questions that will often upset the status quo;
by making relationships the priority, and not reputation.
We embrace the challenge to live as church without walls, living openly amongst unbelievers and other believers in a way that the life of God in ours can be seen, challenged or questioned. This will involve us building friendships outside our Christian ghettos or club-mentality, not with ulterior evangelistic motives, but because we genuinely care.

As I walked away from Cuthbert’s Island and into the town I thought about God’s call on my life. Who am I? What’s God forming me into? Is it God who is forming me or my own self-delusions? I am close to God or far from Him? Is this wrestling one of discipline or formation? But above all of these the question arose again, as I looked at the picture of the island cut off from the shore, Am I missing the tides that will unite me with a community and cut me off for contemplation?

This year has been a year of ‘right thinking at the wrong time’. I’ll catch a glimpse of God and rush to tell people but it’s too early because as I step onto the shore of others and the tide does its thing I find myself trapped and needing to go and be alone. Or I’m on the island too long and friends and family get worried and concerned by my isolation.

Is the monastic life one of complete isolation from the world? Where is the mission? The spreading the good news?

The ebb and flow of ‘the mixed life’ of the contemplative and active, of monastery and mission, withdrawal and engagement, solitude and Community, together makes the Northumbria Community ethos.

Thinking Outside of the Box


I’m fascinated by mother’s, when asked about the early signs of pregnancy, who say “You kinda know there’s a baby in there somewhere.” This sensation is, of course, always going to remain alien to me due to my lack of a womb but it’s interesting because a friend of mine said the same thing about writing books; “You just know you have a book in you.”

I love writing. I love to think through concepts and play with words and try and communicate the jumble of ideas going on in my head but I have to ask myself the question: “Do I have a book in me?”

I have tried, on a number of occasions to try and write books. When I was about 7, I remember sitting at my Nan’s typewriter writing out the title, centering and underlining it. Increase the font size, change the font, setting in place the right format to save me a job later. The title? Simple: The Vikings. I had done an ounce of research for a school project and read an article in National Geographic magazine my Mum collected. I was an expert! I was going to write a book on the subject and so I started. I had done this a number of times; The Aztecs, Incas, Egyptians, Victorians, Tudors. Gravity, Volcanoes, Earthquakes, Oceans. Foxes, Voles, Whales, Sharks, Tortoises. Fiction, Non Fiction, Encyclopaedias (yes I was that ambitious!)

At school, each Monday, we would have ‘creative writing’ which consisted of us writing an acount of our weekends. I would begin with waking up on Saturday morning, an exciting time, the faint scent of anticipation, maybe touched with a tinge of frustration. The familiar smells and sensations of my surroundings all needed to be captured in this piece. My teacher’s began to get frustrated with me.

“He never gets out of bed in his creative writing, Mrs. Lunn. Look here.” My creative writing book, a small 30 page A5 notebook, was brought out. “He has filled this book with his contemplations while lying in bed on a Saturday morning! he spent an hour and a half writing about five minutes!”

The truth is I am a prolific writer already; I just can’t seem to finish them.

I’ve tried in recent years to split a book up into several smaller chunks. So, before I start writing, I think about what I’m passionate about and then split it off into sub categories. This has failed also to produce any finished work. I currently have three books two not even half way through waiting to be finished. Why don’t I finish them? Because by the time I’m two or three months into writing I’ve moved on. My brain is onto something else or I’ve changed my views on a subject that I stated at the beginning.

Do I have a book in me?

I have hundreds but I can’t write them quick enough!

I’m currently working my way through economic theory books on Capitalism and it has made me reflect on how I’m approaching this need of mine to write a book. I love the process of writing, I love the wrestling and coming up with ways of expression but I very quickly begin to turn my attention to the final product. I ask questions like: “What will the cover look like?” “What clever titles can I come up with for chapter headings?” “HOw will it look on the page?” “How many words do I need?” All valid questions but all of them stop me from actually fully participating in the writing process.

Blogs are much easier. Blogs can be written in half an hour and published. A complete packaged item with no stress. I write for as long as I want and then I finish when I finish. I can come back to an idea and develop it but I equally don’t have to.

I hate writing books because of the pressure to finish the product on time and packaged…sellable.

Do you have to produce art to be an artist?

Do you have to have a creation to be called creative?

These questions have plagued me for months. I have come to loathe the need to produce because it’s suffocating. People’s nice requests of, “Ned, can you come up with something creative?” I want to shout, “Not now that you’ve asked!” Don’t ask me to create something because the pressure stops me being creative.

To be nice I say ‘yes’ and go away. I struggle and wrestle; “What am I going to do that’ll be ‘creative’?” I end up just regurgitating some old piece of rubbish and updating it or changing it.

Take two recent examples:

I was asked to ‘do something creative’ for a conference. A set of responses to help people into worship. I sat and I prayed and I thought. I had nothing. I asked the key questions; “Why are we doing this?” “What are we doing?” “What does God want us to do?”. I came up with one answer which, in itself is a question: “Is just doing it normally not good enough?”

I guess what I’m trying to say is; is the need to be ‘creative’ actually just another way of saying “I want to be different because I need to be different.” The truth is when you’re being ‘creative’, ‘innovative’ for the sake of being ‘creative’ and ‘innovative’ then you end up doing nothing of the sort.

I’m asked all the time to ‘be creative’ and I’m getting to the stage where I want to say; “I am.”

I just ended up bringing out some old ideas and re-branding them. Is that creative? It didn’t feel creative. It felt like hard work.

In a Pioneer Ministry module this year we talk a lot about ‘being creative’ or ‘thinking outside the box’; “We need to be innovative, entrepreneurial, creative.”. It feels like, as new ministers, we’re being asked to ‘do something creative’. but what do we actually mean by this? What is creative? The big question is:

‘What is the box that you want me to think out of?”

This is a fundamental issue with the current ‘creative’ conversation. Lots of people sit around tables and say; “We need to think differently. We need something new.”

Silence.

To fill the awkward silence someone says those dreaded words; “I once saw… that seemed to work.”

And the ball is rolling…

Stop! Then it’s not new. Someone has done something like it before. “No but we’ll change the name.” “No. Instead of doing it for old aged pensioners we’ll do it for mum’s. It’s totally different”

Let’s back up a little more. If we’re sitting around and asking ourselves to be creative and new with the church then what about church isn’t working? What is the box that we need to think out of?

So we end up bringing out some old ideas and re-branding them. Is that creative? It doesn’t feel creative. It feels like hard work!

Two quotes have haunted me during this struggle:

If your life is centred on yourself, on your own desires and ambitions, then asserting those desires and ambitions is the way you try to be true to yourself. So self-assertion becomes the only way of self expression. If you simply assert your own desires, you may have the illusion of being true to yourself. But in fact all your efforts to make yourself more real and more yourself have the opposite effect: they create a more and more false self… people cannot simply assert their true self; they need to pray for the strength to find that self beyond their desires. (Finding Sanctuary – Abbot Christopher Jamison)

and

Many poets are not poets for the same reason many religious men are not saints: they never succeed in being themselves. They never get round to being the particular poet or the particular monk that they are intended to be by God. There can be an intense egoism in following everybody else. People are in a hurry to magnify themselves by imitating what is popular – and too lazy to think of anything better. Hurry ruins saints as well as artists. They want quick success and they are in such haste to get it that they cannot take time to be true to themselves. And when the madness is upon them they argue that their very haste is a species of integrity. In order to become myself I must cease to be what I always thought I wanted to be. (Seeds of Contemplation – Thomas Merton)

And so back to my issue of writing a book.

I haven’t written in weeks; due to essays, work, illness… the list goes on. I think I don’t want to write this book anymore because it’s not creative. I’ve put too much pressure to write a book. I want to write. If it becomes a book, then great. If I set out to write a book I’ll never write a book because that’s not creative it’s just feels like hard work.

You see, for me, the life, the excitement comes from writing, not writing a book. The process and not the product. I’m not suggesting we don’t produce but that our products come from our process and we relish and love and get life from the process.

Do I have a book in me? Possibly… I don’t want to push the comparison between conceiving child and a book too much but what happens to a process if you just focus on producing a product?

Theatre Church (part XII)

I want to interrupt my silence by communicating some reflections on some theology or philosophies that have begun to support my current work in my placement. This has been sparked by an academic exercise of reflecting on my experience so far. I prefaced the assignment with the following disclaimer and I feel it necessary to do the same here,

I have struggled to discern the correct approach to reflect effectively on a process which has only just started and on a community which has still not established a coherent identity. To discuss the rationale behind growing a community of artistic students here in Durham would miss out on the amazing work that God has done since the day of our first meeting. To focus my reflections on small points of interest would deny also the unspeakable movement of the Spirit that is present in both the many small encounters but also through the whole ethos of the group.

The truth is I can’t speak of anything other than the amazing, unpredictable, unplannable movement of God in the visible transformation of the members of this group (me included). Their goodness and ‘imago dei’ (image of God innate in all human beings) is affirmed and brought to light. This happens in the small encounters and the whole swathe of our shared narrative of this community.

Peter Rollins, in his latest book ‘The Fidelity of Betrayal’, outlines a possible future for the church. He speaks of a way in which we can let go of our need as Christians to demand an adherence to our way of thinking and to grasp the ineffability of God. This argument is supported by reading the tale of Jonah. Jonah’s understanding of how God works and what God is about is put in question by God Himself. Jonah has lost sight of God’s mission for the whole world and he runs away from the painful realisation that it is his own mission not God’s mission that Jonah prioritises. The understanding that God is already connecting with people outside of God’s people (even those in Ninevah) is the basis of the ‘misio dei’ and Jonah’s blindness to this leads him to flee from God Himself.

I want to ask the questions: What if God is transforming society already and He is not waiting for His church to opt in? What if the Kingdom of God is already here amongst people and we are called to participate and to be watchmen for it? The task of a herald isn’t to make the news but rather proclaim it. What if people are already experiencing Christ without the presence of a human Christian? Rollins suggests,

…the truth attested to by Christian faith is not something that we can… reduce to the realm of physical objects, but rather is… a miracle…This miracle signals the transfiguration of our entire being. It refers to a world-shattering transformation that is hinted at in words such as love, forgiveness, hope and faith. The result is a truth that is both undeniable to the one who undergoes it and yet is open to doubt. For one can simultaneously question the source of this miracle while embracing it, being nourished by it and living in the light of it. Indeed, one can deny the miracle or be oblivious to it and still testify to it via one’s life.

I have been struck again and again that the members of my community show glimpses of Kingdom living. What is clearly present in the community is a sense of deep commitment to others that is natural and a real joy in the way discussion, debate and disagreement is handled. Love is at the centre of this group. If we look at 1 Corinthians 13 and Paul’s definitions of ‘love’ we can see some main characteristics; patient, kind, not envious, un-boastful, humble, honouring, not self-seeking, not easily angered, forgiving, protecting, trusting, hopeful and persevering. All of these are descriptions I would use to describe the way we speak and engage with each other in this community. There is a real wonder at how and why they find it so easy to act and relate in this way. I believe God is, through the process adopted to ‘birth’ this community, transforming the approach to life these individuals hold. Their actions are aligning with the commands of the Kingdom; ‘to love’ and I believe that it is the Spirit of God working in their lives.

Rollins again suggests a model of seeing how God works in communities,

This model is what we find in operation within a broadly Hebraic approach to faith, an approach that emphasizes belonging to the community and engaging in the shared rituals of that community. When it comes to our beliefs… there is an acknowledgement that we will often think and rethink these at various times in our lives… Instead of forming churches that emphasize belief before behaviour and behaviour before belonging, there is a vast space within the tradition to form communities that celebrate belonging to one another… a belonging that manifests itself in communally agreed rituals, creeds, and activities. In the midst of all this these communities can also encourage lively, heated, and respectful discussions concerning the nature and form of belief.

This community is growing, whether it’s understood or not, into a Christ-like community. God is transforming and revealing His nature to all of us. I had three aims at the start of this placement; one, to not prescribe how God will work, two, to practice being fully alert to God’s Spirit in the moment and three, to help people inhabit God’s story. God has worked in amazing and un-imaginable ways. I have not followed any program, set model or blue-print. This approach was inspired by Vincent Donovan’s mission to the Masai.

…the unpredictable process of evangelization, [is] a process leading to that new place where none of us has ever been before. When the gospel reaches a people where they are, their response to that gospel is the church in a new place, and the song they will sing is that new, unsung song, that unwritten melody that haunts all of us. What we have to be involved in is not the revival of the church or the reform of the church. It has to be nothing less than what Paul and the Fathers of the Council of Jerusalem were involved in for their time – the refounding of the Catholic church for our age.

We, as a community, have watched as ‘God’ has used seven people to create relationships where love, peace, kindness, patience, joy, gentleness, goodness and self control have all become manifest in each one of us. We all look back and marvel at the journey we’ve been on and look forward to developing closer commitment to each other.
Jonah learnt that God was not partisan to cultural or religious boundaries. The Church is not the aim, the Kingdom is. The Church is the journey to the destination not the destination itself. The church is the vehicle of evangelism not the reason for evangelism.

All of this, as usual, are big ‘what if’ questions up for lots of disagreement and debate.

An Idea! (appendix i)


I was sent this a day after seeing ‘The Social Network’. I believe this to be true, in my experience.

To add this to ‘An Idea!’ posts I’d suggest that ‘the spaces that have historically led to unusual rates of creativity and innovation’ is the place, whether spatial or emotional, named ‘exile’.